The Allen & Heath GLD Live digital mixing system, which will debut at Winter NAMM in late January, is designed to be user-friendly, cost-effective and scalable. Based on the iLive series, a standard GLD 32 input system offers 28 XLR mic inputs with plug n’ play I/O expanders allowing expansion up to 48 inputs (44 XLR mic inputs). The GLD-80 mixer, provides 48 input processing channels, eight stereo FX returns fed by iLive’s FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
GLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen that displays a fully-customizable drag ‘n drop layout and assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorized fader, a channel LCD display which can be named and color-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer‘s local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.
The GLD-80 connects to a range of plug ‘n play I/O racks to ‘build’ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&H’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.
GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heath's ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLD's extensive soft-patching.
For more info, please visit www.allen-heath.com
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